Venice Biennale: Artists Fiddled While Venice Drowned
It’s massive: 130 artists, over 50 national pavilions and more than 40 collateral events across the city. It’s also largely irrelevant to the fate of Venice in a world of…
It’s massive: 130 artists, over 50 national pavilions and more than 40 collateral events across the city. It’s also largely irrelevant to the fate of Venice in a world of…
The Exhibiton — Peter Kennard: A Very Unofficial War Artist, Imperial War Museum, London The Film — Zygosis: John Heartfield and the Political Image by Gavin Hodge & Tim Morrison…
A review of: Conflict – Time – Photography @ Tate Modern, London Conscience and Conflict: British Artists and the Spanish Civil War @ Pallant Gallery, Chichester Brute @ arthouse1, London…
Those of us, of a certain age, or so the story goes, can remember exactly where we were and what we were doing on 23rd of November, 1963, when we…
“History isn’t the lies of the victors … I know that now. It’s more the memories of the survivors, most of whom are neither victorious nor defeated.” – The Sense…
Portrait of Patrick Keiller. (Photo: Samuel Drake) It is not always the case that definitive moments in art history can be precisely located. Certainly not the first act of artistic…
Lawren Harris, Lake Superior Sketch XLV (collection: A.K. Prakash) Rather like waiting for a London bus, you wait some time for a decent exhibition of landscape art and then two…
Water is the political motif for a significant number of works and death stalks the corridors of the Venice Biennale.
It is possible to experience aspects of the Palestinian political drama through complementary events on both sides of the Atlantic; through the work of the British comedian and activist, Mark…