Our RIDM suggestions: urban development, rural Jesus, protest music, and more
RIDM always has way more films that look fantastic than any one person with other commitments can reasonably see in the space of ten days, which is a great problem…
RIDM always has way more films that look fantastic than any one person with other commitments can reasonably see in the space of ten days, which is a great problem…
Cootie Catcher, written and performed by Lucas Brooks, focuses on Brooks’ close encounters of the transmissible kind. Using a cootie catcher, better known to some as a fortune teller, Brooks…
No bullshit, just coffee: Kyle Allatt performs The No Bull$#!% History of Canada to June 21st A tight, well-paced show, The No Bull$#!% History of Canada rips through 600+ years…
The only thing I hate more than bad puns is bad ethnography, and La cour de Babel walks a fine line on that. Following an integration class for new immigrants…
The Anorak, written and performed by Adam Kelly Morton, goes beyond the pat answers and media sensationalism around the Polytechnique massacre and examines what made Marc Lépine a killer. Exceptionally…
A lot of people didn’t like The Act of Killing, Joshua Oppenheimer’s 2012 film exposing the impunity the perpetrators of Indonesia’s 1965 genocide continue to benefit from. The biggest objection…
The Just For Laughs Festival is taking place in Montreal, and Art Threat’s Kristi Kouchakji is there to review the politically-tinged humour for us. Greg Proops: “These are the bad…
The Just For Laughs Festival is taking place in Montreal, and Art Threat’s Kristi Kouchakji is there to review the politically-tinged humour for us. Adrienne Truscott’s Asking For It: A…
The Just For Laughs Festival is taking place in Montreal, and Art Threat’s Kristi Kouchakji is there to review the politically-tinged humour for us. Luisa Omielan’s What Would Beyoncé Do?…
Hue Man: He Volution An exploration of socially constructed male gender roles through puppetry and video art, Hue Man: He Volution is an interesting concept that doesn’t quite work. The…
God Is A Scottish Drag Queen II Where this God is concerned, nothing is sacred. Essentially an hour of stand-up performed by Mike Delamont in character as a Scottish incarnation…
“Butt sex should never be a surprise.” So begins the very catchy tune that opens Chlamydia dell’Arte: A Sex-Ed Burlesque. Alternating skits and burlesque numbers with vox pop video segements,…
Project Gingervitis Project Gingervitis is a smart, funny take on discrimination, eugenics, geopolitics, and media manipulation. A one-man show written and brilliantly performed by Jordan Lloyd Watkins and set in…
Kitt & Jane: an interactive survival guide to the Near-Post-Apocalyptic Future is environmental activist theatre disguised as charming comedy and shadow play. Created by the team behind the award-winning Little…
Our Creation, Existence, & Destruction in 55 Minutes is a one-man show from recent John Abbott Theatre grad Ian Geldart. Supported by stage manager Natasha Gabriella Trepanier in minor speaking…
My Playwright Sister, written and performed by James Diamond and Johanna Nutter, is a sequel of sorts to Nutter’s earlier work, My Pregnant Brother. My Pregnant Brother sets Nutter’s struggle…
The Secret Trial 5, director Amar Wala’s first feature, is an engaging and enraging look at five men labelled security risks by the Canadian government and detained without trial for…
We Are the Giant, a powerful portrait of five human rights activists in Syria, Libya, and Bahrain, personalizes the multiple, simultaneous, and in many ways ongoing struggles often monolithically referred…
“… it’s a place I call home, although I blend in only as a familiar stranger.” Evaporating Borders, written and directed by Iva Radivojevic, is a five-act exploration of asylum-seekers…
VoiceOver | Riots Reframed (2013) is Fahim Alam’s first film, shot in the aftermath of the 2011 riots in London and other UK cities, while Alam was under conditional release…