It’s massive: 130 artists, over 50 national pavilions and more than 40 collateral events across the city. It’s also largely irrelevant to the fate of Venice in a world of irresistible climate change. Venice is in peril, its future grim; sea levels are rising, flood barriers are inadequate, giant cruise ships and billionaire super yachts […]
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Art Threat: Peter Kennard: A very unofficial war artist
The Exhibiton — Peter Kennard: A Very Unofficial War Artist, Imperial War Museum, London The Film — Zygosis: John Heartfield and the Political Image by Gavin Hodge & Tim Morrison (1991) The images in this archival exhibition, Peter Kennard: A Very Unofficial War Artist, represent a radical perspective on the
Continue readingArt Threat: Art and photography tackle the conscience and chronology of war
A review of: Conflict – Time – Photography @ Tate Modern, London Conscience and Conflict: British Artists and the Spanish Civil War @ Pallant Gallery, Chichester Brute @ arthouse1, London We have just returned from Tate Modern and the exhibition Conflict-Time-Photography. On the cover of the exhibition catalogue is the photo
Continue readingArt Threat: JFK After 50 Years: Berlin to Dallas, Cold War to Camelot
Those of us, of a certain age, or so the story goes, can remember exactly where we were and what we were doing on 23rd of November, 1963, when we first heard news of the death of President John F Kennedy. Some will have been in the concert hall in
Continue readingArt Threat: Art at War surveys creativity under Nazi occupation, from Picasso to Dubuffet
“History isn’t the lies of the victors … I know that now. It’s more the memories of the survivors, most of whom are neither victorious nor defeated.” – The Sense of an Ending by Julian Barnes On the last Sunday in the year, the Parisian bourgeoisie were out in force.
Continue readingArt Threat: Walking as art to avoid global catastrophe – Review: The Robinson Institute by Patrick Keiller at Tate Britain
Portrait of Patrick Keiller. (Photo: Samuel Drake) It is not always the case that definitive moments in art history can be precisely located. Certainly not the first act of artistic creation, that “strange beginning” of Gombrich’s Story of Art — a 35,000 year-old mammoth ivory carving, perhaps? The American architectural
Continue readingArt Threat: Paint it or rape it: would the Group of Seven condone the tar sands?
Lawren Harris, Lake Superior Sketch XLV (collection: A.K. Prakash) Rather like waiting for a London bus, you wait some time for a decent exhibition of landscape art and then two come along at once, or, at least, one behind the other. Just opened at the Royal Academy in Piccadilly, London,
Continue readingArt Threat: Politics play prominently at the 54th Venice Biennale
Water is the political motif for a significant number of works and death stalks the corridors of the Venice Biennale.
Continue readingArt Threat: Walk the line in Palestine – Explore the West Bank perimeter through Mark Thomas’ gonzo rambling and Francis Alÿs’ action painting
It is possible to experience aspects of the Palestinian political drama through complementary events on both sides of the Atlantic; through the work of the British comedian and activist, Mark Thomas, in London and the Belgian artist Francis Alÿs in New York.
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